Nothing could be simpler. Take, for example, Gustave Flaubert’s Salaambô: “What’s all this I hear about Salaambô of Carthage, daughter of Hamilcar, and this business with Matho? What did they make of one another, and what of the Zaïmph, the jewel-encrusted veil said to protect both Carthage and its people, of which it has also been said that all who touch it will die? What am I to make of that?” Simply procure for yourself a copy of Gustave Flaubert’s
How To Read A Book
Nothing could be simpler. Take, for example, Gustave Flaubert’s Salaambô: “What’s all this I hear about Salaambô of Carthage, daughter of Hamilcar, and this business with Matho? What did they make of one another, and what of the Zaïmph, the jewel-encrusted veil said to protect both Carthage and its people, of which it has also been said that all who touch it will die? What am I to make of that?” Simply procure for yourself a copy of Gustave Flaubert’s
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